{"version":"1.0","provider_name":"Faculty of Arts and Social Sciences","provider_url":"https:\/\/kibu.ac.ke\/fass","author_name":"kibabii","author_url":"https:\/\/kibu.ac.ke\/fass\/author\/kibabii\/","title":"Tricksterism and Subversion in Culture and Feminism - Faculty of Arts and Social Sciences","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"FvsIIVOcOb\"><a href=\"https:\/\/kibu.ac.ke\/fass\/tricksterism-and-subversion-in-culture-and-feminism\/\">Tricksterism and Subversion in Culture and Feminism<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/kibu.ac.ke\/fass\/tricksterism-and-subversion-in-culture-and-feminism\/embed\/#?secret=FvsIIVOcOb\" width=\"600\" height=\"338\" title=\"&#8220;Tricksterism and Subversion in Culture and Feminism&#8221; &#8212; Faculty of Arts and Social Sciences\" data-secret=\"FvsIIVOcOb\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/kibu.ac.ke\/fass\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"2023 KIBU Authors Joseph Musungu Christine Namayi VIEW ON PUBLISHER SITE Abstract This study examines the works of Francis Imbuga, a renowned Kenyan playwright, who challenges traditional societal norms and advocates for social change through his plays, Aminata and The Burning of Rags. Imbuga explores the tensions between tradition and modernity in African societies and [&hellip;]"}